Something new... 09/17/2010
It seems everywhere I look at the moment, I'm being bombarded by images of work by the artists at Buena Vista Tattoo Club. I've been aware of them for a little while, but recently it seems that their work is everywhere, certainly in the tattoo press. And what fantastic images to be bombarded by. The work of Volko Merschky and Simone Pfaff is refreshingly different. It's not often that you find work that is really new and unique, but these guys seem to be breaking a lot of moulds. They refer to this style of tattoo that they have created in their studio in Wurzburg, Germany, as 'Realistic Trash Polka'. I actually don't think that it's the sort of thing that I'd want as a tattoo for myself - I'm far too rooted in the old school to use a whole arm or something for this style (although I might be persuaded otherwise in the future), but I am blown away by their creativity, and by the way that their work is seeming to redefine what constitutes a tattoo. One of the most famous tattoo artists of the last 100 years (certainly in the Western world) is Sailor Jerry. From the 30s to the 60s, he worked in Hawaii. He is often considered to be the first artist to create a fusion between traditional western designs, and the work that was usually associated with Japan. He is still considered a master, and his revolutionary style would now be classed by many people as classic tattoo imagery. In the last few years, studios like Buena Vista Tattoo Club, and Boucherie Moderne in Brussels, have been bringing something new to the scene. As far as I can see, the primary driving force for this is the use of graphic design skills and elements being incorporated into tattoo design. The result is stunning pieces of living design work, challenging concepts and ideas about what a tattoo is and can be. Of course, all of this is helped along by the fact that Volka, Simone, Jeff, and the likes are producing technically excellent tattoos. So far, this movement seems to be breaking out within Europe. It would be interesting to see, with all of the current hype around it, how quickly it develops in North America. CommentsThe first time I saw some work done at Buena Vista in one of your fancy magazines I stopped flipping the pages immediately.
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